Birds, Fish, Serpents & Butterflies

Bring the wonder of the natural world into your home with our captivating collection of antique bird, fish, serpent and butterfly prints. These timeless artworks, originally engraved for scientific and artistic study between the seventeenth and nineteenth centuries, have been reimagined as elegant wall pieces for contemporary interiors. Whether you are drawn to the serenity of marine life, the grace of flight, the mystery of serpents, or the fragile beauty of butterflies, this curated selection offers a fascinating conversation piece for any space.

Our collection includes exquisite reproductions and original antique engravings from early naturalists such as Shaw & Nodder, Aldrovandi and Mattioli names that defined the golden age of natural history illustration. Each print reveals meticulous detail: the iridescent feathers of tropical birds, the glimmering scales of exotic fish, the coiled elegance of mythic serpents, and the delicate wings of butterflies illuminated with fine hand-colouring. These works capture both the artistry and scientific curiosity of their age, lending refinement and narrative depth to your walls.

Printed on museum-grade uncoated paper with rich archival inks, each piece preserves the subtle texture and tone of the original plate. The result is a matte, authentic finish that feels both historic and luxurious. Choose from our signature frames in black, walnut or antique gold for the perfect finishing touch, or order unframed to style within your own décor vision.

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Old scientific, medical and astronomy prints form one of the most captivating categories of historic illustration. These works document the centuries when scholars, natural philosophers and early scientists were beginning to observe the world with new precision. Collectors seek them for their artistry, their historical weight and their ability to connect us to the earliest stages of scientific thought. At Lumenrare, this category encompasses astronomy diagrams, medical anatomy plates, natural philosophy engravings and technical images of early experiments, many created during the Renaissance and early modern period.

Scientific illustration served as the visual language of early knowledge. Long before photography existed, writers and researchers relied on engravers to record celestial patterns, anatomical discoveries, magnetic instruments, chemical reactions and the diversity of the natural world. Every plate is a primary historical artefact, produced at the time when ideas were still evolving. This gives old scientific prints a unique appeal, particularly to collectors who appreciate early scholarship and the origins of modern science.

Astronomy prints are among the most visually striking examples. Works like the Zahn astronomy diagram Pro Crisibus Morborum illustrate how celestial movements were once linked to timekeeping, seasonal cycles and even medical theory. Diagrams such as these combine observation, geometry and philosophy, creating richly detailed images that bring early cosmology to life. Their ability to blend science, symbolism and visual design makes them ideal for collectors and for interior settings seeking artworks with intellectual character.

From the Renaissance through the Enlightenment, scientific illustration evolved from symbolic and sometimes speculative imagery to meticulously detailed diagrams. Early natural philosophers, anatomists and astronomers relied on artists and engravers to document their findings long before photography existed. This means that every old scientific print is a primary historical artefact, a visual record created at the moment ideas were new, debated or incomplete. Whether the subject is celestial mechanics, human anatomy, chemical experimentation or magnetic force, these antique prints offer a genuine window into the origins of modern science.

Early scientific and technical illustrations by polymaths such as Athanasius Kircher also form a significant part of this area. Kircher’s magnetism engravings, for example, show early experiments with magnetic force, signal transmission and mechanical devices designed to make invisible forces visible. These prints are admired for their precision and ingenuity, revealing how seventeenth century thinkers approached natural mysteries with a mix of observation, creativity and engineering. Pieces like this expand the category beyond astronomy and medicine, showcasing the breadth of early scientific imagination.

Old medical and natural philosophy prints add further depth. Aldrovandi’s plates of birds, human deformities, unusual natural phenomena and early classifications of animals represent a milestone in the study of the natural world. These engravings reflect the Renaissance ambition to catalogue all aspects of life, combining artistic skill with emerging scientific method. Such prints appeal not only to collectors but also to designers and researchers who value the aesthetic and historical significance of early natural history.

As a category, scientific, medical and astronomy prints offer exceptional variety. Some focus on anatomical structure, others on celestial mechanics or magnetic force, while others depict rare biological specimens or early scientific instruments. Together they show how knowledge developed across disciplines and how artists played a crucial role in recording new discoveries. Their visual richness and historical authenticity make them ideal for framing, collecting or gifting to anyone with an interest in science, medicine or the history of ideas.

Lumenrare curates a growing selection of early scientific prints, including astronomy diagrams, Kircher magnetism plates, Aldrovandi natural history pages and other rare examples of early scholarship. Many more are being prepared for release, ensuring that collectors can continue to find historically important and visually compelling pieces that celebrate the beginnings of scientific inquiry.